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FILM ESSAYs
HIS GIRL FRIDAY
Citizen Kane
THE KILLING FIELDS
Film Reviews
Where’d You Go, Bernadette
A Bigger Splash (1974)
The souvenir
teen Spirit
Cold War
On the basis of Sex, if Beale street could talk
The Favourite, Mary Queen of Scots
At eternity’s gate
Boy Erased
Won't You Be My Neighbor?
Lean On Pete
CALL ME BY YOUR NAME
LADY BIRD
INTERVIEWS
AndrÉ ACIMAN, "CALL ME BY YOUR NAME"
Vanessa Friedman, “Dress Like A Woman”
Rob garver, “What she Said: The Art of Pauline Kael”
DUNCAN HANNAH, "20th Century Boy"
Darren henault
Kathleen Kucka, Furnace Art on Paper Archive
RICHARD LAMBERTSON
KATE NOVAK, "The GoPsel According to André"
Carolyne roehm, “Design & style: A costant thread”
Helen Klein ross, “The Latecomers”
Pom Shillingford, English garden Grown
LAURIE SIMMONS
HUNT SLONEM
Rex Smith
Kelley Vickery, BIFF’s 2019 Season and Martin Scorsese tribute
LISA IMMORDINO VREELAND, "LOVE, CECIL"
BUNNY WILLIAMS OPENS 100 Main
Editorial & Coverage
Young And Indigenous in NORTH AMERICA
Women Take the Lead in 2020 FiLms on Demand
Seasonal Shopping According To the Stars
Homo Irrealis: Essays by André Aciman
The Beauty and Violence of Edith Wharton
Find Me By André Aciman: First Love’s Sequel
A Rite of Spring with the Morris Dancers
Biography and Fiction Merge in Dawson’s Fall
Avengers: Endgame and mainstream viewing
Lee Miller, When the model became an artist
Summer screening of Suspiria (1977)
FALL INTO SCHOOL READING LIST